Mark Ludmon reviews the new stage production of Dylan Thomas’ Under Milk Wood at the National Theatre in London starring Michael Sheen
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Mawa: the UK’s first all-black all-female Shakespeare company
Four actresses have formed Mawa Theatre Company dedicated to all-black, all-female Shakespeare performances In August last year, actor Massey Bawden made a proposal on Twitter.
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Review: Cruise, Duchess Theatre, London
Mark Ludmon reviews Cruise, written and performed by Jack Holden, at London’s Duchess Theatre
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Review: Rice!, Omnibus Theatre / Wayang Kitchen, online
Mark Ludmon reviews Wayang Kitchen and Omnibus Theatre’s inventive show, Rice!, streamed live via Zoom from the UK and Malaysia
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Star ratings: their history and entry into theatre criticism
In the first of a series of articles, I look at the history of star ratings and how they came to be adopted for theatre
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Review: C-o-n-t-a-c-t, various locations, London
A young woman sits alone on a bench in the middle of Clapham Common, silent, apparently deep in thought. About a dozen people stand a
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Review: Rose, Hope Mill Theatre online
Maureen Lipman gives the performance of a lifetime in the online revival of Martin Sherman’s play, Rose. Best known for comedy and roles like Evelyn
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Review: Megan Vaughan’s Theatre Blogging: The Emergence of a Critical Culture
With her blog Synonyms for Churlish, Megan Vaughan was part of a cohort of bloggers who have been shaking up the world of theatre over
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Interview with Maureen Lipman on the revival of Martin Sherman’s Rose
Coronation Street’s Maureen Lipman speaks to Mark Ludmon about playing the title role in Martin Sherman’s Rose in its online revival under director Scott Le
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Review: Emma Smith’s This Is Shakespeare: How to Read the World’s Greatest Playwright
Emma Smith, a professor of Shakespeare Studies at the University of Oxford, draws on her extensive knowledge and scholarship for This Is Shakespeare: How to
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Interview with Elizabeth Newman, artistic director of Pitlochry Festival Theatre
Mark Ludmon speaks to Elizabeth Newman about Pitlochry Festival Theatre’s efforts to reach audiences during shutdown including the premiere of David Greig’s new play, Adventures
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Tracy-Ann Oberman on playing Shylock in The Merchant of Venice set in Fascist 1930s
Tracy-Ann Oberman talks about playing Shylock as an East End matriarch in the upcoming tour of The Merchant of Venice Tracy-Ann Oberman has always hated
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