The longlist for the annual STR Theatre Book Prize has been published, offering a selection of 35 theatre-related titles
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Review: Sad, Omnibus Theatre, London
Mark Ludmon reviews Victoria Willing’s new comedy, Sad, at Omnibus Theatre in Clapham in London
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Review: The Human Voice, Harold Pinter Theatre, London
By no stretch could Jean Cocteau’s “monodrama”, The Human Voice, ever pass the Bechdel Test on the representation of women. A lone unnamed woman talks
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Review: The Merchant of Venice, Sam Wanamaker Playhouse, The Globe, London
Mark Ludmon reviews Shakespeare’s The Merchant of Venice at the Sam Wanamaker Playhouse at The Globe in London
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Review: Henry V, Donmar Warehouse, London
Mark Ludmon reviews Shakespeare’s Henry V starring Kit Harington at London’s Donmar Warehouse
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Review: The Collaboration, Young Vic, London
Mark Ludmon reviews The Collaboration at the Young Vic Theatre in London starring Paul Bettany as Andy Warhol
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Review: The Glow, Royal Court Theatre, London
Mark Ludmon reviews Alistair McDowall’s new play, The Glow, at the Royal Court Theatre in London
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Review: Ava: The Secret Conversations, Riverside Studios, London
Mark Ludmon reviews Ava: The Secret Conversations, written by and starring Elizabeth McGovern, at Riverside Studios in London
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Review: Force Majeure, Donmar Warehouse, London
Mark Ludmon reviews the stage adaptation of Scandinavian film Force Majeure at London’s Donmar Warehouse with Rory Kinnear and Lyndsey Marshal
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Review: Spring Awakening, Almeida Theatre, London
Mark Ludmon reviews Rupert Goold’s new production of the musical Spring Awakening at London’s Almeida Theatre
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Review: Cabaret, The Kit Kat Club, Playhouse Theatre, London
Mark Ludmon reviews the revival of Kander and Ebb’s musical, Cabaret, at the Playhouse Theatre, London, with Jessie Buckley and Eddie Redmayne
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Review: Very Special Guest Star, Omnibus Theatre, London
Mark Ludmon reviews Tom Wright’s new play, Very Special Guest Star, directed by Rikki Beadle-Blair, at Omnibus Theatre in Clapham
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