The issues tackled in Ariel Dorfman’s Death and the Maiden are as relevant today as they were when the play was first produced over 20
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Review: The Veil, National Theatre, London
Conor McPherson is best known for his plays about Irish life such as The Weir but, for The Veil, he has gone back to 1822
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Review: Broken Glass, Vaudeville Theatre, London
Broken Glass was one of Arthur Miller’s last plays, completed in 1994 when he was in his late 70s, but he went back to 1938
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Review: Doctor Faustus, Globe Theatre, London
If you look at the central story, Christopher Marlowe’s Doctor Faustus is a tragedy of a man who sells his soul to the devil for
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Profile: Helena Blackman: the sound of her music
Helena Blackman talks to Mark Ludmon about her new Rodgers & Hammerstein album and how the amateur stage prepared her for her professional career When
Read moreTheatre review: Ecstasy, Hampstead Theatre, London
Ecstasy by Mike Leigh Hampstead Theatre and Duchess Theatre
Read moreTheatre Review: Betty Blue Eyes, Novello Theatre, London
Betty Blue Eyes Novello Theatre
Read moreTheatre review: Company, Southwark Playhouse, London
Company by Stephen Sondheim Southwark Playhouse
Read moreTheatre review: Becky Shaw, Almeida Theatre, London
Becky Shaw by Gina Gionfrido Almeida Theatre
Read moreTheatre review: Design for Living, Old Vic, London
Design for Living by Noel Coward Old Vic Theatre
Read moreTheatre review: Eigengrau, Bush Theatre, London
Eigengrau by Penelope Skinner Bush Theatre
Read moreTheatre review: Exit the King, Ethel Barrymore Theatre, New York City
Exit the King by Eugene Ionesco Ethel Barrymore Theatre, New York City
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