Mark Ludmon drops in on rehearsals for the new UK touring production of Once the musical Once the musical has been breaking hearts since it
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freelance journalist writing about theatre
Mark Ludmon drops in on rehearsals for the new UK touring production of Once the musical Once the musical has been breaking hearts since it
Read moreMark Ludmon looks at why Charles Dickens’s A Christmas Carol is as popular as ever in British theatres this festive season Charles Dickens’s A Christmas
Read moreMark Ludmon visits London’s new Boulevard Theatre to meet its two directors and the cast and creatives of its first show. The first-ever show has
Read morePaul Taylor-Mills, Vikki Stone and Tom Jackson Greaves talk about the new UK production of the musical based on Nick Hornby’s High Fidelity at London’s
Read moreMichael Fentiman traces the journey of Amélie The Musical from film and Broadway to The Other Palace in London. Mark Ludmon reports Eighteen years on
Read moreMark Ludmon examines efforts to improve recognition for the work of movement directors in British theatre. At this year’s Olivier Awards, 12 of the nominations
Read moreMark Ludmon interviews Olivier winner Giles Terera as he prepares for his next big role after Hamilton After a year-long Olivier-winning run as Aaron Burr
Read moreA diverse mix of new plays and revivals has been announced for Michael Longhurst’s first season as artistic director of London’s Donmar Warehouse It features
Read moreMark Ludmon tries out the new smart caption glasses launched by the National Theatre for people with hearing loss. The National Theatre has opened up
Read moreWith new productions at the Queen’s Theatre Hornchurch and Hull Truck Theatre this month, Mark Ludmon examines the continuing popularity of Abigail’s Party for BritishTheatre.com
Read moreMark Ludmon reviews Julius Caesar and Me – Paterson Joseph’s revealing book exploring Shakespeare’s “African play”, Julius Caesar With its glowing reviews and sold-out performances,
Read moreMark Ludmon finds out how researchers, actors and directors are bringing back little-known Elizabethan plays On a winter’s day in London in 1582, the court
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